Entry 1396 - Monster Hunter World

Style: orchestral video game music

Primary Emotions/Themes: an epic reimagining of a storied franchise   

Thoughts: Monster Hunter is my favorite game franchise. Full stop. I came to this conclusion about a decade ago before World released. I've played every title that's been released to the west and some that have not... it's the one franchise I've been with since the very beginning and it's been amazing to see it grow into what it is today.

World saw the game change in major ways, more ways than I can discuss here. This is also where the franchise became main stream. One of the things that did not change though from the early days is the quality of the music. 

Monster Hunter games have always had a full orchestral score, and World is no different. The main difference here is the amount of music that's contained in this soundtrack. It just keeps going and going. Every monster has its own theme as the old games did, but here they are expanded and longer then ever and more involved than ever. 

This soundtrack took me forever to get through and when I finally completed it I felt a relief like I did when I finally killed Xeno'jiiva for the first time. It's long, it's not suitable for a single sitting, and I don't know how often I'll listen to it. If I do revisit it in the future it's going to be one record at a time. It was a fun trip down memory lane though.

Entry 1395 - Metroid Cinematica

Style: symphonic video game music

Primary Emotions/Themes: medleys from the Metroid series composed into orchestral form

Thoughts: This is an interesting release for me. I found the digital version of the original release on Spotify many years ago, and at the time the only thing I could do was get a CD. Fast forward half a decade and a kickstarter campaign was announced to fund an expanded vinyl version of the soundtrack.

Let me just get this out of the way: I am not normally a huge fan of remix albums. Sure there are some here and there that do the source material justice, but most of the time I would rather just have the original. This album is one of the exceptions. Not only does it pay justice to the original music, it combines it and remixes it together in such a way that it transforms the originals into something new. Something more dynamic... something more cinematic.

This truly sounds like if the Metroid series ever got made into a feature length film. The music is bombastic and paints a visual picture through the notes. The instruments are clear and capture the mood of the individual moments of the soundtrack perfectly. 

There is a lot of music on this thing, over two hours worth. I hadn't listened to this since I got the records in for the first time. Not that I didn't want to, but rather it's a huge time commitment. I can tell you that this thing has not left my turn table for several days revisiting the music. It's phenomenal. I just need to remember that I own this and that I need to revisit it more than once every two years.

Entry 1394 - Final Fantasy Tactics

Style: video game music 

Primary Emotions/Themes: an epic soundtrack for a game well ahead of it's time

Thoughts: When do you consider a game that defines a genre? What would that entail? For tactical role playing games is this the gold standard? Is Final Fantasy Tactics the game that every other one should be measured up to?

Gameplay wise I'm not sure if it's between this game or Tactics Ogre, musically though Final Fantasy Tactics is not only the gold standard for tactical RPG's, it's one of the elite in all of roleplaying games regardless of underlying genre.

The music in Final Fantasy Tactics matches the cadence of battle perfectly. It drives combat just as much as the commands input from the controller. It has a grand scope and sets the stage for the epic story that is unfolding right in front of your eyes. It does all of this without a single word spoken. 

I've listened to this album more times than I can count. Between the record set and the CD this is one of the finest soundtracks to ever have been released on the PS1 or in Squaresoft's storied history. 

Entry 1393 - Final Fantasy V

Style: video game music

Primary Emotions/Themes: a SNES Final Fantasy soundtrack, they don't get much better than this

Thoughts: Final Fantasy VI is one of my favorite games and soundtracks out there. Final Fantasy V is essentially the soundtrack that allows VI to happen.

All of the groundwork that bears fruit in the sequel game is started here. The melodies are on point and varied. Uematsu was experimenting more with different instrument combinations and more complex arrangements here as well. It's just a joy to listen to.

For VI I wrote a huge essay about what the game means to me etc, that is not going to be the case here. I'm going to let the music speak for itself and let the legacy of the game be it's own thing. Just know that this is one of the finest moments in both Final Fantasy in terms of game play as well as music. Essential stuff.

Entry 1392 - Edge of Sanity - The Spectral Sorrows

Style: melodic death metal

Primary Emotions/Themes: early 90's death metal, it's a bit all over the place

Thoughts: Well this was an unexpected find. I was looking through some crates and I found my old copy of The Spectral Sorrows laying there. Not at all what I expected to find.

Edge of Sanity have always been one of the more interesting Swedish death metal bands. You never knew what they were going to do next. The first two albums were straight up death metal, and then they released this one... and what a ride it is. 

There's a bit of everything on this album. Some thrash influenced death metal, some melodic death metal, some fast songs, slow songs, and even a Manowar cover. It really is all over the place. It feels like the band created whatever they wanted and then had a field day putting everything and anything on the album.

Is it a bit chaotic? Yeah it is, but at the same time it's fun as hell. The band obviously were having fun writing and recording this stuff. Not all of it is great, but it's an entertaining listen regardless.

Entry 1391 - Dishonored 2

Style: Video game music, dark ambient

Primary Emotions/Themes: Vengeance is a cruel master.

Thoughts: I have not played the second Dishonored game, I've only heard the music to it. I'm not sure what it's about, but the music is largely an expansion of the first games soundtrack.

I loved the combination of ambience and melody that the first game had, the second game has a similar approach but it's more towards the ambient side of things for a majority of the soundtrack. The further you get into it though the more melody gets sprinkled in, like a trail of morsels leading us to the ultimate goal.

Dishonored 2's soundtrack is not as good as the first games. It drags on for just a bit too long to stand on it's own like the first one did. That said when this thing starts going it's highly enjoyable, those moments are just too few and far between.

Entry 1390 - Dishonored - Death of the Outsider

Style: video game music, dark ambient

Primary Emotions/Themes: solitude, mystery, murder

Thoughts: The Dishonored soundtrack is one of the best in my collection. The way that it balances melody and ambience is outstanding. With the expansion to the game the music shifts starkly in the ambient direction and largely forsakes the melody.

The music on Death of the Outsider is more primal and has less definition as traditional music. The tones that are created here are dark and honestly quite unsettling for most of the records length. Not quite easy listening but also excellent for setting a foreboding atmosphere.

Death of the Outsider is not an album I spin very often, I'll prefer the original game's soundtrack. Every now and then though this soundtrack provides a bit of uneasiness in my life if I so desire.

Entry 1389 - Bloodstained - Ritual of the Night

Style: video game music

Primary Emotions/Themes: the true successor to 2d Castlevania games

Thoughts: After Symphony of the Night I felt a huge dearth in the quality of many of the Castlevania games. Of course we got games in that style on Gameboy Advance and the DS, but they never really felt as grand as the first game to do that style. I missed it a lot, and I finally feel like we have a worthy successor with Ritual of the Night in both gameplay and music.

The fact that Michiru Yamane came back for this game to compose the soundtrack was huge. The music here is a direct extension of Symphony, in fact much of the games soundtrack sounds like it could be interchangeable between the two. It has the same sense of mystery and discovery that the original does and captures that same spark that so few soundtracks have. It's truly special.

I rarely put this record on, because when I start listening to it I feel compelled to finish it. I don't often have enough time to listen to four records back to back, but when I do I enjoy every single moment of this outstanding soundtrack. It's only a few years old at this point, but man it's already elevated to essential status for me.

Entry 1388 - Altar of Plagues - Trilogy Part 3 - Teethed Glory and Injury

Style: black metal, experimental

Primary Emotions/Themes: A massive change in scope and sound for the band

Thoughts: I don't know why it took me this long to get to this album. The last album that I wrote about in this trilogy was all the way back in entry 595. Needless to say it's been a while.

Teethed Glory and Injury sees the band branching out from their long form songs with hypnotic beats and riffs. There are eight songs on here and they span just under fifty minutes in length. After a near ambient intro the band shows the listener exactly how much they've changed with God Alone. These songs are heavy, they are dissonant, they are fast, they have little to no build up, and they are crazy. There is little that would resemble anything that the band created before. 

Teethed Glory was not an album I enjoyed when it first released. I didn't care for the change in direction and I couldn't get behind the dissonance. So much of what I liked about the band was lost. Now that I've had about a decade to digest it I can take this album for what it is. The band was trying something different and to a large part they succeeded. It would have been interesting to see if they continued where they would have ended up, but alas we'll never know. 

Entry 1387 - 輕描淡寫 x Kuroi Ame - 眼泪含泪

Style: Ambient

Primary Emotions/Themes: Kuroi Ame's dynamic song writing with the profound atmosphere of 輕描淡寫 

Thoughts: This is it. The final entry before I move to finish out my boxed sets. It couldn't have ended on a better album.

To say that I was excited about this album when it was announced was probably an understatement. 輕描淡寫 had only ever released the one album to my knowledge and to hear that she was teaming up with Kuroi Ame made me excited beyond belief. My hopes for the album were massive, but also so was my fear. Could it live up to the legacy set by both artists? Yes it can.

These six tracks blew me away the first time I heard them. They blow me away still. They combine the sense of profoundness that 輕描淡寫  brings but also makes it more active with melodies and beats injected by Kuroi Ame. Add in some longing vocals by Currentmoodgirl and you have an absolutely phenomenal album. 

This isn't an album I'm going to try and quantify in words. It simply must be heard in order to be understood. Absolutely essential listening.

Entry 1386 - 輕描淡寫 - 小圈子

Style: ambient

Primary Emotions/Themes: somehow this album forces me into a deep sense of self reflection and contemplation every single time I play it

Thoughts: There are good ambient albums. Albums that sweep me away and carry me off to distant lands. There are excellent ambient albums, ones that weave their own story with little more than a few sonic pads and minimalist melodies. Then there is this album... an ambient album that somehow strikes me with a profound sense of meaning every time it hits the record player.

I really don't know how it does it. The music on here is so incredibly simple, yet it's layered so well that is swells up emotions in me that normally lie dormant. I wrote a while back about feeling a deep sense of nihilism in the world, well this album is the exact opposite. This album craves meaning, it injects meaning into everything it touches. It brings life where there was none before. 

I have less than ten albums like this in my entire collection. Albums that can instantly change my mood from one thing to another. I don't know how it does it, but there is something in these notes that is truly incredible. 

Entry 1385 - 沙漠鱿鱼 - 上海／香港

Style: ambient, drone, a tiny bit of slushwave, field recordings

Primary Emotions/Themes: a night on the streets of Hong Kong

Thoughts:  Do you want to be transported half way around the world instantly? Look no further than 上海／香港. This album emulates being on  a city street in the mighty city of Hong Kong instantly.

This is another album that I have not listened to in several years. Most of the time I forget I have it, and that's a damn shame. Slow builds, lazy washed out melodies, field recordings of city streets, long and winding songs that blend into each other... these are the staples that are contained in the album. 

I've been keeping a log of albums that I need to revisit more often. By going through my collection I'm finding these hidden gems (to me) and I'm remembering why I bought them in the first place. With 上海／香港 I find that it provides me with an escape from modern life and takes me back thirty or forty years to when life was a bit simpler and I didn't have a care in the world. Sometimes we need simplicity. 

Entry 1384 - 暗号零 - 暗号零

Style: dreampunk, ambient

Primary Emotions/Themes: traveling through an empty cosmos, nothing but a few hydrogen atoms to keep us company

Thoughts: Man this has been a blast from the past. This was another one of the first albums that I got when I was into the dreampunk movement. I really had no idea about what dreampunk even was at that point, but I knew I liked what I heard and that was good enough for me. 

The essence of 暗号零 is simple melodies that repeat over the course of three to five minutes with a massive backing of synths. There are little to no beats and the music often feels static or with minimal movement. It feels more like I'm floating through space in audio form than anything else. 

暗号零 is a fascinating album. It's one I put on when I want to be able to concentrate on the task at hand. It offers just enough content to get my mind occupied, yet not so much that it demands all my attention. Probably one of the better dreampunk records I own.

Entry 1383 - チェスマスター - I am Chesumasuta

Style: dreampunk, noise, ambient, experimental

Primary Emotions/Themes: A musical potpourri that drags the listener through both musical bliss and pain

Thoughts: Now we're getting into the final records in my collection. The last of the records I've had since starting this blog. It's a bit ironic that it would start with I am Chesumasuta as well as this was the first true dreampunk album that I ever purchased.

HKE has always been experimental with his music, and it seems he was doubly so here. Some of these songs have absolutely massive electronic atmospheres that overwhelm the senses. Then there are others that seem to be put together in such a way that the music is hard on the ears. Like it clashes with expectations, and makes the listening experience harder than it needs to be because of it.

When I say the music is unpleasant I do need to say that this is nothing like the FLAP that would come later. This is still musical. I've found myself listening to this a few times in a row just to refamiliarize myself with the album. I've not listened to it for several years and honestly I had forgotten a lot of what it has. It's an interesting journey to say the least.

Entry 1382 - Zero ft. Solomon Alber - Faded Memories

Style: lounge music, smooth jazz

Primary Emotions/Themes: soothing music with a whole lot of sax

Thoughts: This was billed as the first sample less barber beats album.... but doesn't that just make this a smooth jazz album instead? The whole idea behind barber beats is reconstructing music from different parts to create something entirely new.

That technicality aside, this is actually a quite enjoyable album. I've seen several people critique it saying that it has too much sax... I'm not sure I agree with that. The saxophone adds in a distinctive element to the album that binds the songs together despite their diversity.

I wasn't sure what I thought of the album at first. It seemed like just another barber beats album, but over time the fact that these are live performances gives this album a bit more credence than a lot of the other material in this musical wavelength. Not a bad listen, and certainly one I should come back to more often.

Entry 1381 - Zelda and Chill

Style: video game music, lofi hip hop

Primary Emotions/Themes: a lofi mix tape of Zelda music

Thoughts: Not much to say about this one except it's Zelda and it's lofi. It's well done and it pays tribute to the source material... but that's about it. 

Entry 1380 - Legend of Zelda - Breath of the Wild - Memories of a Heroes Journey

Style: Video game music 

Primary Emotions/Themes: the final entry into Breath of the Wild, the conclusion

Thoughts: It's been a trip listening to all of these Breath of the Wild records again. There is so much music in this game that it's nearly overwhelming. Memories recalls the fateful moments of the game's story through the cutscenes and other notable moments.

Out of all of the records in this set, this one is likely the most diverse. The events that happen in the cutscenes are anything from Link waking up to charging head first into Hyrule Castle. It's simplicity and complexity all in one. It contains some of the games best music, and some that just moves the story along. 

This was the last release that I got in the set, and it's fitting that it closes out my trip down memory lane as well. Living through the games main story points is a great way to close things out and this album does just that.

Entry 1379 - Legend of Zelda - Breath of the Wild - Reveries of Hearth and Home

Style: video game music

Primary Emotions/Themes: a warm welcome to a place once thought forgotten

Thoughts: Of all the Zelda records in my collection, this is the one that I cherish the most. The is so much good music in Breath of the Wild, and this record contains the best of the best.

After a long day out adventuring it's always wonderful to come back to a familiar place and rest. This is exactly the feelings that are portrayed throughout the entirety of Reveries. Warm, welcoming songs that make me want to cozy up to a warm fire and fall asleep. 

This album is the audio equivalent to a cup of hot chocolate and a blanket on a cold winters day. It's like coming home after a long trip and sleeping in your own bed for the first time in months. It's welcoming home a loved one that has been over seas for years. It's finding that lost pet that was gone for weeks then randomly shows up at your door step one morning. It's joy. 

Entry 1378 - Legend of Zelda - Breath of the Wild - Ballad of Champions

Style: video game music

Primary Emotions/Themes: gather round as we tell a tale as old as time, join me in the ballad of champions

Thoughts: As with every other record in the Breath of the Wild record sent this one has a theme. This record extols the feats of the champions that were to help Zelda fight the terror that is Calamity Gannon. These are their ballads.

The music here is much more to my liking than that of Battles. This record captures the feel that I loved so much when exploring the world. The wide open music, to match the wide open spaces. The simplicity of the music matches the beautiful simplicity of the world, yet it carries so much hidden depth within itself. The inclusion of most of the accordion songs here is also a welcome treat. They were always fun to listen to when the bird told the stories of the olden days.

Ballad of Champions is not the best record in the set, but it certainly is one that hits the turntable rather often. It's one record long and that's a perfect length for relaxing between tasks or turning on to clean the house or some other mundane task. A glimpse into the true beauty that is Breath of the Wild.

Entry 1377 - The Legend of Zelda - Breath of the Wild - Tales of Battles and Bravery

Style: Video game music

Primary Emotions/Themes: the more combat and shrine focused part of the Breath of the Wild soundtrack

Thoughts: Lets talk Breath of the Wild Records for a bit here. This soundtrack was split up into five separate releases, each containing different parts of the soundtrack. This was the first one released, and it's arguably my least favorite of the bunch. 

While the battle music in BOTW isn't bad, it's not the best part of the soundtrack. My favorite parts are the exploration and discovery moments (and Terry Town, but we'll get to that later). The music here is the most energetic and brass driven of the entire soundtrack. The individual songs themselves work great in the game as a break from the tranquil exploration music, but on their own they are a bit more difficult to digest. 

The music in Breath of the Wild is one of the first times that Nintendo broke with the main themes that we've all gotten used to and love with Zelda. It's a risky move that ended up paying off in spades. The music is an integral part to the experience of the game and has become one of my favorite soundtracks in the entire franchise. 

Entry 1376 - Legend of Zelda - Twilight Princess

Style: VGM

Primary Emotions/Themes: A grittier and a bit darker take on the Zelda franchise

Thoughts: Zelda was in a weird place on the Gamecube. The series had been accused of being too kid friendly with Wind Waker (a statement that aged pretty poorly), and people wanted something a bit darker. Enter Twilight Princess.

The music in Twilight Princess has all of the whimsical nature of most Zelda games, but it recalls the same darker tones that Majora's Mask would end up featuring heavily. The resultant soundtrack is a bit more balanced than most Zelda soundtracks which tend to lean more towards the side of adventure. Twilight Princes still has that, but the music has darker undertones throughout the run time. 

Twilight Princess is a game that is a bit of a mess story wise. It doesn't know really what it wants to be at first, but as soon as the mid point of the game is reached things start to become a bit clearer. The music does not have this challenge. It's well composed throughout the entire game and is one of the main reasons why I enjoyed it to the extent that I do. 

Entry 1375 - Legend of Zelda - Link's Awakening

Style: video game music

Primary Emotions/Themes: Probably the best soundtrack on the original Gameboy

Thoughts: Of all the Gameboy games I played, this was probably the one I spent the most time on. I have very fond memories of this game and those are relived when I listen to this soundtrack.

In essence this is the stripped own version of the Link to the Past soundtrack. There are a lot of the same songs but they are much simpler here. The soundtrack has a lot of it's own original compositions of course, and those are equally as fun to listen to. In fact the whole soundtrack is really a treat to listen to, it takes the limited capabilities of the Gameboy sound chip and does the absolute maximum with it. 

Mystery, adventure, wonder, and musical instruments - they are all the main themes of Link's Awakening. The soundtrack portrays all of these with expert skill, especially for a soundtrack that is so inherently limited. A prime example of how to do more with less.

Entry 1374 - Legend of Zelda - Link to the Past

Style: video game music

Primary Emotions/Themes: One of the definitive soundtracks not just on the SNES, but in all of video games

Thoughts: I'm going to try to keep this short, but truly this entry deserves a full essay to it's importance. The Legend of Zelda is one of the most important game franchises in the history of gaming, and Link to the Past may very well be the finest game in that series. Outside of the gameplay elements, the music in this game created the foundation for many of the ongoing themes found in every single game hereafter. 

For this though I want to try and just focus in on the music. Link to the Past took the musical themes found in the first two games and expanded on them with the SNES' improved sound chip. The songs are more involved, the instruments more grand, the compositions more dynamic... everything is bigger and better. It's a showcase on what the system could do.

I really love how whimsical yet entirely serious the soundtrack sounds at nearly all points. With the main Zelda theme on the overworld being the central focus of the game it makes sense that this is the triumphant anthem that it is. For a lot of the worlds sub areas we get similar instruments used, but with different arrangements, it's a cool feature that I never really noticed the first time playing the game. 

I'm going to have to stop myself here, I feel like I could go on forever for this one. This is one of the very few soundtracks I had been missing from my collection that I desperately wanted. Now that it's in my collection I can finally say that I have every essential Zelda album. 

Entry 1373 - Yuri - Magdalene

Style: barber beats, vaporwave

Primary Emotions/Themes: 

Thoughts: I'll be honest here, I did not expect this album to end up in my collection. I have just about reached capacity on barber beats and feel I have a solid representation throughout my collection of the genre. So when I first heard Magdalene I was expecting it to be a one and done... that was about as far from the truth as you can get.

The whole album is sexy. The artwork, the songs, the titles of the tracks... everything. It has a seductive sway that I was not expecting, but it fits perfectly with the theme of the music. Even the song titles let you know exactly what is happening in each track, even though there are no lyrics. 

The music itself is so well put together, and this was the deciding factor for me. The first track is a bit of a slow burn, but after that the album really starts to get its hooks in you. Slow piano driven songs with groovy beats is the flavor of the day. There's some lounge, there some smooth jazz, and even some porn music here. It all works excellently together and creates an album that often finds itself on the turntable for multiple spins at a time. 

Entry 1372 - Yahar'gul

Style: black metal

Primary Emotions/Themes: black metal inspired by Bloodbourne

Thoughts:  Having a black metal EP flavored around one of my favorite games... yes please. 

Yahar'gul is unsurprisingly themed around the game Bloodbourne. This short album seeks to be the musical accompaniment to the mix of gothic and Lovecraftian horror that the game balances so well. For the most part it accomplishes just that. 

There are only five songs here, and the titles are taken directly from the game. Celestial Emissary, Ebrietas, Daughter of the Cosmos, The One Reborn, The Hunters Dream, Moon Presence are all bosses and locations within the game. For the most part the cadence of the song matches that of the source material. Ebrietas is a swirling and dissonant track to match her horrific form. The Hunters Dream is a slow ambient piece giving the listener a small respite from the horrors of this crazy dream world. Moon Presence is a triumphant anthem that celebrates the stars and all of the unknown horrors that come with it, just like the true last boss of the game.

Yahar'gul didn't just take some inspiration from Bloodbourne, it fully steeped itself in the infested ichor the game is so known for. In many ways I wish that there was more for this project, but in many ways I'm happy that this is all that we have. These twenty minutes are excellent and touch on some of the best moments in the game, if more was created I don't know if it would be the same quality as what we have here. Regardless, this is a must listen for fans of Bloodbourne, if only once.